summer is real cute until every fuckin type of insect comes out of the 8th circle of hell
(via anti-relief)
“Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine.
As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss.
The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded:
‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
(via fenixed)
Summer Evening, 1947 - Illustrated by Edward Hopper.
(Fonte: fuckyeahvintage-retro, via sweetdeltablues)
Namibians wearing Vellies (Shoes)
“Velskoen, pronounced “fell-skoon” and known colloquially as “vellies,” are the ancestor of the modern-day desert boot. Vellies were first made in the 1600s, inspired by the footwear of the Khoikhoi tribe and crafted using raw materials. Later, our vellies were adapted by British travellers, packaged and renamed to be what we now know as desert boots.
(Brother Vellies) are made in the coastal town of Swakopmund, Namibia. There, a small group of eight Damara gentlemen assemble every shoe by hand, turning out just 20 pairs an afternoon.
…Vellies are made of vegetable-dyed Kudu leather. The Namibian government mandates the culling of these large native antelope to control their population. Kudu skin yields amazingly durable leather and suede that ages exceptionally well. Because these hides are taken from wild animals they often show scars or other “imperfections” that domesticated hides do not.”
ugh fashion i love it
Fly.
(via tierracita)
